Art & Design

Altura Los Angeles: Artist Built, Artist Run

On the east side of the L.A. River in historic Lincoln Heights, a group of ambitious artists with complimenting art practices and a vision for the community founded Altura Los Angeles.

By Trina Calderón

Photo Courtesy of Adrian Huerta

Published May 11, 2023 9:00 AM PST

Just over a year old, friends Eduardo Gomez, Diego Guerrero, Adrian Huerta, and John Acevedo created the artist studio space and gallery, empowering a fresh art scene screaming with authenticity. As Los Angeles rides the big wave (it’s been twelve years since MoCA’s groundbreaking Art in the Streets exhibit changed everything), additions like Altura Los Angeles reveal the dynamic intentions inside the visual art cultural metropolis.

Located inside what once was the San Carlos Theater, the team designed and built out their space with movable walls and a small upstairs overlook. Gomez shared, “This is all DIY. We’re learning as we go and the first year flew by.” In their inaugural year, they exhibited exceptional artists and provided space for events with vendors and local businesses. Who is the team behind Altura Los Angeles? They have a strong connection to Long Beach, but for the last ten years they’ve had a presence in Lincoln Heights DJing a monthly cumbia night at local hotspot, The Office.

LBC native, Gomez studied art and earned his BFA from Cal State Long Beach and went to California College of the Arts in San Francisco for his MFA. In the mid ought’s, he assisted master printmaker Artemio Rodriguez at his studio La Mano press in Lincoln Heights. “After grad school, moving back, and burnt out of making art, I got into DJing. Prior to Covid, from 2011 through 2020, for those nine years I was more into DJing. It was new, exciting, fun and it paid. When Covid hit, I couldn’t DJ or do any of that stuff; it was time to go back making art,” he remembered. “I had a show, I did a book, like all this stuff was piling up around me at home. I knew it was time for me to get a studio and I looked around for studio spaces to see what I could find. For the price, the square feet, and after seeing other spaces opening like Tlaloc Studios, that inspired me. We could build our own space, we just got to find the right people to do it with.” Nectali “Sumohair” Diaz, a close friend Gomez grew up with in the LBC, had already began to establish himself as a multimedia artist working as a hairstylist, musician, and filmmaker in Los Angeles. When Gomez came back to southern California, Sumo introduced him to his network and plugged him into the action. After building out the space to reflect their different needs, the challenge became curating the shows, and dreaming up what kinds of events they could throw. Altura Los Angeles is not an art show every month kind of gallery, they alternate with events that compliment their interests and talents.

Photo courtesy of Adrian Huerta

Guerrerro is a county civil engineer, he knew how to build out space, and DJ’s and helps coordinate music at the events. His background works well with Gomez in organizing and installing shows. Huerta is an Emmy-winning videographer and producer who worked with the Dodgers and the Lakers shooting behind-the-scenes shows. He creates their social media content, records all the events for their Altura LA YT channel, produces the Altura LA Podcast, and manages their website. Acevedo studied fashion at the Academy of Art and is involved with the gallery install and curation. “I think that’s what makes it interesting too, the four of us have different backgrounds in what we study so all our networks come together. It’s all creative so you get a range of different people, personalities, and backgrounds,” Gomez shared. “A place for artists to gather, to share work, and connect, Altura LA is also a place for community events that bring the neighborhood and its creatives together,” he added. With their credibility on the line, their main desire was to be genuine to the community and choose the right people to work with.

Palindromo 12.11.21, their inaugural show in December 2021, was a group exhibition featuring selected works by L.A. based established and emerging artists Sandy Altmirano, Melissa Dueñas, Daniela Garcia, Elmer Guevara, Manuel López, El Oms, Ever Velasquez, The Perez Bros, Josh Vasquez, Bob Dominguez, Rochelle Gomez, and co-founder Huerta. “Getting the first one off our plate was nerve racking, I curated it. I went to school for art, that’s my lane, but still, I’ve never done it before. It’s a lot of work,” Gomez shared.

In March, they debuted Mariscos y Discos, their first daytime event featuring their favorite record vendors, DJ’s, and mariscos treats. In the gallery, they followed with FROM PHOENIX TO SAN ANTONIO, an exhibit and zine release from artists Valerie Bower and Melissa Dueñas documenting the American Southwest and exploring the ideas of Americana through a POC and female perspective. Acevedo and his partner Ricky Esparza brought their clothing brand PRENDAS to the gallery and hosted a new tee-shirt drop with a flea market. The first show I attended was El Album, a collection of colorful small and large-scale paintings by Tijuana-born Chicano artist El Oms. I had not read about this show anywhere, it was a tip from a couple artist friends when I was leaving another opening. Right when I walked in that night, I felt the community vibe, a warm authenticity that reminded me of the L.A. I grew up in, before so much gentrification took hold  and the artwork on the walls was fantastic.

Photo courtesy of Adrian Huerta

Photo Courtesy of Julian Mercado

Altura Founders | Photo courtesy of Fabiola Franco

Last summer, their friend Sumo passed away in an e-scooter accident in downtown Los Angeles. A huge loss to the guys and the art community, Altura Los Angeles endured. Celebrating his spirit, their last exhibition for the year was dedicated to their close friend. Gomez recalled, “The family came out and gave us their blessing. They let us go through his things and curate what we wanted to display. They were really happy with how everything turned out.” ¡Sumo Presente! was a beautiful tribute to his life and music, featuring an altar of many of his personal belongings and art. For their one-year anniversary, the closing reception included a Street Fighter II tournament event using Sumo’s tabletop arcade version of the game he loved playing.

2023 kicked off with their Cantina el Pachuco event featuring a pop-up with Pachuco Supply and original art by Steve Pineda. In honor of women’s history month, they opened SEEN Women Photographers Exhibit curated by artist Nalani Hernandez-Melo which showcased personal work by photographers Anna Azarov, Brittany Bravo, Lenne Chai, Priscilla Chavez Scott, Rebecca Grant, Amanda Lopez, Enkrypt Los Angeles, Naohmi Monroe, and Michelle Terris. This exhibit brought a new collaborator to the Altura Los Angeles team, with Hernandez-Melo joining forces to strengthen their marketing, fill in a void organizing shows, and add a female voice to their male echo Chamber.

Altura Los Angeles’ next event is their third installment of Mariscos y Discos, on Saturday, May 20th, 2023, in celebration of the grand opening of Correas Mariscos in Lincoln Heights. Featuring live DJ sets, local record shop vendors, and of course, delicious mariscos, the community event is about bringing people together and welcoming the new business to the neighborhood.

Gomez explained, “There’s people worried about it getting gentrified, so it was important for us to claim space there in the community and have a place for people to come and have a platform. And for us, having the studio that we do and sharing the space with others are important. It’s a big deal because we don’t want to be gatekeepers. We want to be inclusive; we want to have people come out and be able to have a place to show their work.

Building the community and getting the approval of your colleagues, contemporaries, and friends, to me, that’s where it starts. Because if you get their blessing, then everything else will come with time. If we’re doing a good job and people are supporting us, that’s probably the biggest compliment.”


Trina Calderón @trinaluz is a film & TV writer/producer and journalist from Los Angeles. She cut her teeth in reality/doc TV with Authentic Entertainment and Pie Town Productions. Her first feature film, Down For Life, premiered opening night at the The Los Angeles Latino International Film Festival in 2009. She's also known for G4tv's X-Play, BBCAmerica's The Nerdist TV show, the AWM Gracies Awards show, the Legend of the Cool "Disco" Dan documentary, the Wall Writers documentary, and co-writing a massive book about the history of the 9:30 Club.

Gajin Fujita Explores the True Colors of Los Angeles

In his sixth solo show, artist Gajin Fujita exhibits striking and emotional paintings he created during the pandemic. Though artists are prone to isolation, the unprecedented confinement inspired art making that not only expanded his creative techniques but also criticized the problematic societal situation. A graffiti artist and Los Angeles native, Fujita began his investigation of society at street level and his insights and experiences are well honed in his latest exhibit, True Colors.

By Trina Calderón

Forget Me Not (Chitose Fujita)

Published 8:00 Am PST

“I think what sticks with me is when my dad immigrated from Japan to L.A., he thought it was such a beautiful city, a city unlike any other in the world. It’s very unique. We got a lot of nature surrounding us, the mountains, the ocean, the valleys, and the desert. Maybe like an hour drive out of L.A. you’re in nature and I’m just super proud to be a native Angeleno. I love this place and I want to represent it right because when I look good, L.A. is going to look good, and when L.A. looks good, the world is going to look good,” he related it to his emotional ties to the city. Throughout the show, his paintings represent a hometown story with conflict and connection.

In his monumental Game of Drones (GOD), a vulnerable samurai is confronted by a large white dragon drawn to him through a portal in the sky. Next to the aristocratic warrior is his surrendered drone controller, a gadget he has used far too much, a symbol of his desire for power. This painting is a warning, an image about humanity getting ahead of itself. Set against the backdrop of California’s Sierra Nevada mountains, painted in gold leaf to remind of the gold dug out for fortune, with corporate logos re-appropriated to show the impact of capitalism, and all covered with tags from many of Fujita’s close friends and fellow L.A. graffiti artists, it’s a story about twisted morality. The tags cross out the businesses, street symbols revolting against corporate greed in the community. In Japanese mythology, the dragon is summoned to answer one’s fate, here the creature scares the samurai, warning of his selfish behavior during a time the world needs empathy. “It can definitely be relative to what we had seen in our country during the pandemic, when our rulers weren’t doing their job, like they didn’t know what to do. The world turned upside down. Everybody was feeling it, but I think in our country we saw the true colors come out,” Fujita explained.

Game of Drones (GOD)

Home Field LA

In isolation, Fujita developed his ideas with new artistic techniques. Using transparent spray paint he added more depth to figures, and instead of using outlines as he had in the past, he let the effect add 3-dimensional qualities to edges. In Forget Me Not (Chitose Fujita), Fujita paints the silhouette of the city, with a checkered background and street view from his mother’s porch in Boyle Heights. Using silver leaf and platinum paint for the checkers, he deliberately reckons the risky, contrasting codes of his city. The sun sets on the next layer, with a perspective looking west, tagging again from his peers, and small Dumbo’s flying through. A portrait of Fujita’s mother is in the foreground, using shadows to give her figure depth. She’s wearing blue and holding a yellow-red hibiscus, a real-life moment Fujita captured in a photo when she was outside, visiting his studio. She wears a green ribbon on her shirt, for mental health awareness.

Fujita’s mother has Alzheimer’s and went missing in the summer of 2022, she had slipped out of her home unnoticed. While searching for her, Fujita sent the current photo of her to artist and close friend PRIME, who lives near her home and he drove around looking for her. Thankfully, she was found safe in less than an hour later, but the image now connects Fujita to the scary moment in time. Using symbols (Dumbo represents the only animal who never forgets) and new creative techniques, he brings his mother to life wandering out in the city, a bold story of memory told through his artistic language. 

True Colors is on view at LA Louver March 29th – May 6th, 2023.


Trina Calderón @trinaluz is a film & TV writer/producer and journalist from Los Angeles. She cut her teeth in reality/doc TV with Authentic Entertainment and Pie Town Productions. Her first feature film, Down For Life, premiered opening night at the The Los Angeles Latino International Film Festival in 2009. She's also known for G4tv's X-Play, BBCAmerica's The Nerdist TV show, the AWM Gracies Awards show, the Legend of the Cool "Disco" Dan documentary, the Wall Writers documentary, and co-writing a massive book about the history of the 9:30 Club.

Painter Friedrich Kunath Feels His Way Home

By Trina Calderón
Published 9:16 Am PST

The place we call home usually refers to where we lay our head every night to sleep, a permanent location used as a mailing address. But the idea of home can be vast and German painter Friedrich Kunath uses his feelings to find the connection in his new exhibit, I Don't Know The Place, But I Know How To Get There, showing at Blum & Poe, January 14th through February 25th, 2023.

Reckoning his coming-of-age experiences in Germany with living in America for almost eighteen years, he’s still finding his habitual presence. While it’s impossible for anywhere to be the same after COVID, and perhaps subconsciously this motivated him to relocate his family back to Germany last summer, he was nonetheless inspired to return “home” only to immediately find himself disparaged. He related, “I had a constant feeling I would do something, but I was forcing myself to go on walks, read poetry, and then I watched TV all day, went straight into depression and immediately found out I can never go back home, as they say.”

Courtesy of Blum & Poe

Coming back to Los Angeles didn’t feel like home either but Kunath went into the studio with these deflated ideas and got to work with questions. “Is my life in the panting? Is me working on these paintings somewhat of a house that I inhibit?” he wondered. Indeed, his paintings are a backdrop for these thoughts with imaginative influence from Russian, German Romantic, and Hudson River school landscapes. In his existential search for pure consciousness, he explains this state of creative life in an exhibition of large witty pastoral paintings and a bright installation that reveals the bones of his storytelling process.

In the release for the show, Kunath includes the beautiful poem “Abendlied” by German artist Hanns Dieter Hüsch, which begins:

Butterfly is coming home
Little bear is coming home
Kangaroo is coming home
The lights aglow, the day is done.

Courtesy of Blum & Poe

There is a fun and whimsical element to Kunath’s homecoming crisis. Found in the short phrases of text he writes in small details on top of a painting or the cartoon characters that inhabit other images, he’s able to find humor in the darkness, and even nostalgia in his negated notions of place. In Coming Home Was As Beautiful As Going Away, the view out of the window on a plane is a contemplative view we’ve all seen many times. A moment we’re just existing inside the puffy clouds in the sky, in transit, high above everything serious and real. Breaking through this familiarity, he’s written the title in cute, tiny letters drifting off the edge of the wing. The words are playful yet dangerous as they fly off into the distant sky. There’s an absurd comfort in appreciating this view.

This meditation persists throughout Kunath’s work. I Could Easily See Myself Spending A Whole Month This Way features a man floating faced down, with the title written on top of the pool of water. He appears both relaxed and drowning, with an eerie color scheme of pale off yellow green masquerading as blue water. Who doesn’t like the ease of floating freely, but it’s also just cold and dark enough to make you think of drowning this way. The idea brings his existential perspective into a simpler composition, yet romantic still in the feel of the water, the waves, and the texture on top of the paint that appears like ripples. It’s the soul of the show in many ways, using his well-honed techniques to create a mood that goes on forever.

Courtesy of Blum & Poe

I Know I Need A Small Vacation is a more abstract landscape concept, playing with a stable of German and American pop culture symbols like Smurfs, a Porsche, Disneyesque cartoon animals, and the magical surreal doorway to heaven. Here clouds take different shapes than in his other landscapes, rendered in outlines and primary colors. They’re vehicles in all his paintings, implying movement, ethereal travel, and even an environmental spiritualism. The leaf outlines feel like fallen leaves blowing in the wind of an imaginary trip somewhere, anywhere, as though all the fun characters need to go too. Goofy even has his suitcase on this journey for a cartoony home ground.

In the romantic spirit of feeling connected to a journey more than the destination, Kunath completes his exhibit with the large installation, All Your Fears Trapped Inside. Pulling together personal ephemera, fine art, and collected objects from 2019-2023, the audience peers inside a window to consider how he composes his paintings. “It’s a whole thing to look for stuff that I feel understands me. I’m drawn to it and sometimes I don’t know why. I like to surround myself with these things and after all these years, that shit in there marinates you and makes me do the work I do here. That’s one aspect, and the other is I was thinking a lot about Picasso’s last paintings when the artist is behind the glass and basically paints that in a weird way. It’s a version of them also, but the artist is behind something. For me, I don’t think of this as much as different than that,” Kunath explained.

Courtesy of Blum & Poe

The natural processes of the artworks carry a sense of merry enchantment to the notion of not knowing where home may be. Kunath is happiest creating in a state of half-knowing, with a spirited practice that is contrary to understanding everything. A song that always reminds me of these same kind of ideas of home is Talking Heads, This Must Be The Place (Naïve Melody) which starts:

Home is where I want to be
Pick me up and turn me round
I feel numb, burn with a weak heart
I guess I must be having fun
The less we say about it the better
Make it up as we go along
Feet on the ground

Friedrich Kunath: I Don't Know The Place, But I Know How To Get There
Blum & Poe
January 14 – February 25, 2023


Trina Calderón @trinaluz is a film & TV writer/producer and journalist from Los Angeles. She cut her teeth in reality/doc TV with Authentic Entertainment and Pie Town Productions. Her first feature film, Down For Life, premiered opening night at the The Los Angeles Latino International Film Festival in 2009. She's also known for G4tv's X-Play, BBCAmerica's The Nerdist TV show, the AWM Gracies Awards show, the Legend of the Cool "Disco" Dan documentary, the Wall Writers documentary, and co-writing a massive book about the history of the 9:30 Club.

Jeffrey Deitch Gallery Los Angeles: George Clinton's 'The Rhythm of Vision' Recap

“Why must I feel like that? Why must I chase the cat? Nothing but the dog in me…”

Courtesy of Jeffrey Deitch Gallery
Photography Joshua White 2022

By Julian Lucas
Photography by Ozeylah Maral
Published December 8, 2022 9:30 Am PST

Jeffrey Deitch opened last month with The Rhythm of Vision by George Clinton in Los Angeles. The exhibition was created in parallel with the 40th anniversary of the release of Atomic Dog, Clinton’s #1 record that inspired much of the hip hop music of the 1980s and ‘90s.

George Clinton, singer-songwriter, producer, and bandleader of the 70’s Parliament-Funkadelic collective has been a creator, both musically and visually. Clinton's works of art depict the psychedelic worlds of his music, costumes, and stage sets. When the pandemic prevented him from touring, he began a new chapter in his visual art, combining sixty years of themes and characters.

Paying homage, George Clinton’s influenced Lauren Halsey’s artistic vision collaborated in the creation of a sculptural stage inspired by George Clinton’s music. The work is a homage to Clinton’s influence on her artistic vision.

George Clinton is renowned as one of the pioneers of funk music. His Afro-Futurist performances, his lyrical mythology, and his social commentary have profoundly influenced contemporary culture. Clinton has been creating a lexicon of funk which is visualized in his paintings.

The centerpiece of the exhibition will be Moia Dat (2022), a monumental painting featuring an image of Clinton’s Mothership, the fantasy space vehicle that would descend onto the stage during Parliament / Funkadelic performances from which Clinton’s alto ego, Dr. Funkenstein would emerge.

The Rhythm of Vision is George Clinton’s first art exhibition in Los Angeles. This is not Clinton’s first project in the 7000 Santa Monica Boulevard building, however. He recorded several of his songs in what is now the exhibition space when it was the home of the famous recording studio, Radio Recorders. Clinton lives and works in Tallahassee, FL

- Jeffrey Deitch Gallery


George Clinton: The Rhythm of Vision with a stage by Lauren Halsey is on view and runs through December 23, 2022.

Jeffrey Deitch Gallery is located at 7000 Santa Monica Boulevard, Los Angeles, CA.


Julian Lucas, is a photographer, a purveyor of artists’ books, and writer in training, but mostly a photographer. Julian also works as a housing specialist which, includes linking unhoused veterans to housing.

Echo Parks' Sunset Blvd is Becoming a Mecca of Culture

‘Park on the Dance Floor’ is Shaping the Echo Park District of Los Angeles into Something Special.

By Julian Lucas
Published 6am PST

Echo Park — Last weekend was more than a cruise night, more than a usual exhibition on a Saturday evening, and much more than just a party. It was a celebration of culture and people coming together on their terms, without any influential interference. 

The setting - the streets and sidewalks of Sunset Blvd. The music came both directions, north Sunset, mostly the Cumbias blaring from Género Neutral, and south, you could hear either 80s Funk and even old school Banda. In either direction I found myself bobbing my head and even busting a small OG two-step to George Clinton’s ‘Atomic Dog’ and trying to spin to Banda Zeta’s ‘La Nina Fresa’. Either way, everyone participated in some type of body movement because it was just that perfect. 

The celebration was organized by Classico Tattoo in partnership with Paisa Boys, Género Neutral, low boy, Pure Beauty, 444, Liquid Death Mountain Water, Air Nandez, and California Cowboys Collective. All involved are trend-setting, offering a new fresh way of celebrating the way we socialize. 

PEEP THE RECAP - PHOTOGRAPHY BY JULIAN LUCAS...... EVEN THE BLURRY IMAGES

Nadia Lee Cohen ' Hello My Name Is’ Jeffrey Deitch Gallery Los Angeles

Courtesy of Jeffrey Deitch
Photography Charles White

By Julian Lucas
Published June 17, 2022 11:37 PST

Los Angeles— British photographer Nadia Lee Cohen opened her first major solo exhibition Hello, My Name Is in the United States.The exhibition was held at none other than Jeffrey Deitch Gallery. Where else, who else would showcase such an exhibition? It's an overview of works from both her monograph, Women (sold out) and her latest book of the same name, displayed with images, sculpture, and film.

Hello My Name Is, immerses you in photographic imagery and never-before-seen footage of the insular world of Cohen’s human subjects - characters  created and played either by Nadia or in collaboration with models who assume different identities.  In the meantime, a conveyor belt brings  a succession of these characters’ personal effects that rotate in and out of the room.

Elsewhere, in a darkened, theater-like area, Cohen takes on each of the character’s parts.  As skewed as her photographs and accompanying films are, Cohen’s hyper-more-than-real art ultimately encourages the viewer to build relationships with the very real persons we see on a daily basis.

HELLO, My Name Is
Jeffrey Deitch Gallery / Los Angeles
Now through August 13 2022

Jeffrey Deitch
925 N Orange Dr,
Los Angeles, CA 90038


Julian Lucas, is a photographer, creative strategist, and writer in training, but mostly a photographer. Julian also works as a housing specialist which, includes linking unhoused veterans to housing.

Fahey/Klein - REBELS by Janette Beckman Recap

Julian Lucas
Published 5/9/2022 8:00Am PST

On Thursday night on May 5th, 2022, the 70s, 80s, and 90s Hip Hop, Punk, and fashion enthusiasts alike went down memory lane to celebrate and enjoy the photographic works of British photographer Janette Beckman. Her Exhibition, Rebels, featured at Fahey/Klein Gallery (Los Angeles), took many of us back in time, to the beginning of history in the making. 

Rebels, which encompasses 40 years of photography, provides a magnificent glimpse of Janette's importance in the worlds of art, photojournalism, music, fashion, and popular culture. Janette Beckman has spent decades photographing larger-than-life rebels in music, fashion, and other fields. The impromptu and raw quality of each image is what gives her images their engaging appeal — similar to the spontaneous wildness of 1970s and 1980s subcultures themselves.

Janette Beckman’s work is in the permanent collections of the National Portrait Gallery, London, the Smithsonian Museum of African American History and Culture, the Museum of the City of New York, and the Musée des Civilisations de l’Europe.  Beckman’s commercial work includes assignments for clients such as Dior, Kangol, Levi’s, Schott, and Shinola.

Fahey/Klein Gallery
Janette Beckman
Rebels May 5 – June 18, 2022

Hours: 10:00 am to 5:00 pm
Tuesday through Saturday

Phone: (323) 934-2250
Fax: (323) 934-4243
Email: contact@faheykleingallery.com

Residency Art Gallery Presents Highways and Byways by 3B Collective

By Julian Lucas
Published October 27, 2021 7:10 Am PST

INGLEWOOD- Last Saturday evening, about 7:30ish, I, along with other art enthusiasts, attended “Highways and Bywaysby 3B Collective featured at Residency Art Gallery. And what a compelling show it was!

The exhibition examines decades of gradual change within disenfranchised communities. "Highways and Byways" opens with an extraordinary installation in the foreground, dead center - a cluster of words that relate to the disparities of Los Angeles residents. Surrounding these words were vibrant and mesmerizing paintings. There was just enough history juxtaposed with the contemporary present to provide evidence that they were - we were - a part of a larger body of systemic problems. The work was a lot to process as I found myself walking back to gaze multiple times. This along with conversing with the artists and art attendees - it was a lot to take in.

For me, the work evoked a lot of feelings. Despite being optimistic about our current political climate, one would wonder about what the future holds, and if there is really any hope.

The 3B Collective is defines themselves as a group of six artists and designers. The collective create works of art and assist artists and institutions such as galleries. They also create large-scale, “site-specific installations and murals”

The ‘Highways and Byways’ will run to December 11, 2021 Residency Art Gallery Saturday 11am to 5pm. Residency Art Gallery is located at 310 Queen St. Inglewood, CA 90301.

@thepomonan

HIGHWAYS AND BYWAYS3B COLLECTIVE RESIDENCY ART GALLERYINGLEWOOD, CA #3bcollective ##groupshow ##residencyartgallery ##in#glewood

♬ original sound - thepomonan

Julian Lucas, is fine art, documentary photographer, photojournalist, and creative strategist. Julian also works as a housing specialist which, includes linking homeless veterans to housing. Julian has lived in Chicago, Inglewood, Portland, and the suburbs of Los Angeles County including Pomona.

Eastern Projects Gallery Presents "The End of Silence" by ANTONIO TUROK

Text Julian Lucas
10/13/2021

Several things stood out at about the exhibition “The End of Silence” by Antonio Turock, featured at Eastern Projects Gallery. One of the best photographic exhibitions held there by far. In this exhibition the images were photographed decades ago, rather than in recent years. Which can be highly appreciated, because of the amount of documentary work completed decades ago, and because it wasn't just another art exhibition about coming out of a pandemic, yawn.

Nonetheless, the exhibition emphasized work through artistically through storytelling giving a raw deep glimpse into the politics, the culture and environment within countries such as Chiapas and Oaxaca's civil unrest, as well as wars in El Salvador, Guatemala, and Nicaragua, by juxtaposing photographs of impoverished, displaced, but humble individuals.

“The difference between a photojournalist and a documentary photographer is that while the former seeks to record the event, the latter wonders why it happened, he creates a script in his head about what he wants to convey. The documentary photographer must study what he is going to photograph, being a kind of anthropologist, sociologist, having a background in art history, it is the only way in which the photographer can become an integral part of that experience. He must be passionate about the story he will document.” – Antonio Turok


ABOUT THE ARTIST
Antonio Turok, born in Mexico City in 1955, is considered one of the most important documentary photographers of today, internationally recognized as one of the artists who have dedicated 40 years of his life to capturing the human condition or simply sharing a beautiful landscape. Turok and hisphotographic gaze are always where adrenaline and fear would drive almost everyone away, where, thanks to his instinct, the viewer can access images that stop the precise moment, the one that summarizes an entire historical moment between the four corners of the photograph , a defining feature of a society or a social conflict. 
 
BOOKS
Antonio Turok: La Fiesta y La Rebelión, Ediciones Era Mexico 2018, Chiapas: The End of Silence / El fin del silencio. Aperture Foundation, New York, and Ediciones Era, Mexico, 1998. Images of Nicaragua. House of Images, Mexico, 1988. 

PUBLICATIONS
Aperture, United States; Camera Work, United States; Chronicle, Mexico; DoubleTake, United States; Paris Match, France; Process, Mexico; Stern, Germany; Texas Monthly, United States; The Independent, Great Britain; Likewise, he has collaborated on several collective books such as: 160 Years of Photography in Mexico, Centro de la Imagen, Mexico. Indiens Chiapas-Mexico-Californie –Un monde fait de tous les mondes-. Du parc de la Villete, Paris. Memory - Presence of Guatemalan refugees in Mexico, Ministry of the Interior, Mexico. 
 
AWARDS
The FONCA -National System Award for Artists in Mexico, Medal of Photographic Merit 2018 , USA-Mexico Fund for Culture Rockefeller/Bancomer Award 1997. John Simon Guggenheim Memorial Foundation (Latin America & Caribbean) 1996. Mother Jones International Fund for Documentary Photography 1994. Grant from the Museum of Photographic Arts in San Diego, California for the documentary project : Our Neighbors, Two Sides of a Coin.  
 
MUSEUMS

Philadelphia Art Museum. Philadelphia, Pennsylvania. Los Angeles County Museum of Art - Photographic Collection, Los Angeles CA. Wittliff Gallery of Southwestern and Mexican Photography,Southwest Texas State University, San Marcos, Texas. Brooklyn Museum — Photographic Collection. Brooklyn, New York .; among others. Eastern Projects

RECAP

Antonio Turock
"The End of Silence"
October 9th - November 27th 2021
12p-6pm Tuesday to Saturday
Eastern Project Gallery
900 N Broadway #1090, Los Angeles, CA 90012


Julian Lucas, is fine art photographer, photojournalist, and creative strategist. Julian also works as a housing specialist which, includes linking homeless veterans to housing. Julian has lived in Chicago, Inglewood, Portland, and the suburbs of Los Angeles County including Pomona.

CGU 2nd Year MFA Exhibitions Opens with, "Can I Come in - Can I Touch it"

By Julian Lucas
Published on Oct 7, 2021 3:45pm PST

After a long hiatus due to the pandemic, Can I Come In? “Can I Touch It? is the annual second-year group exhibition comprising of CGU’s MFA candidates.

In the aftermath of the pandemic, well we all hope, the exhibition is a response to the isolation and lack of human interaction. The students invited the public and the student body to “Yes come in, but no do not touch. That would be unwise”

Highlights

Remembering Ren Hang 任航 03-30-87 to 02-24-2017

Ren Hang, "Untitled" (2015) Estate of Ren Hang/Blindspot Gallery

Ren Hang, "Untitled" (2015) Estate of Ren Hang/Blindspot Gallery

Text By Julian Lucas
February 18, 2021 12:49pm PST

This article was Produced by Mirrored Society, A Bookstore on the Arts. The Pomonan is co-publishing this review.

Ren Hang was born in 1987 in North East China’s Jilin. At the young adult age of 20, Ren Hang had been studying advertising but found himself uneasy at his studies. He began using a point-and-shoot camera and taking photos of his friends. “It was because, I was bored of advertising and in specific, I was bored of life.” His work became increasingly noticed, having exhibitions in various cities such as Hong Kong, Athens, Bangkok, New York, Paris,and Los Angeles. Living in Beijing at the time of his death, he was going to turn 30 years old.

Four years has passed since the death of acclaimed art photographer Ren Hang. When visiting Ampersand, an Art Bookstore located in Portland, OR, in 2014. New Love," lying next on the front table in the front window of the storefront, stood out with its not bright white cover enabling the natural color of the nude portrait within nature to pop out of the book. I would often look back about not buying the book at that time after a couple of months had elapsed. The best thing is that I ended up buying the last book in stock.

Ren Hang, "Untitled" (2015) Credit.Estate of Ren Hang/Blindspot Gallery

Ren Hang, "Untitled" (2015) Credit.Estate of Ren Hang/Blindspot Gallery

I had the opportunity attend his first exhibition in Los Angeles and and meet and chat a bit about his work in the summer of 2016. The exhibition entitled. “What We Do is Secret”. Ren Hang intuitively created moments audacious power using the nude in the face of censorship and social restraints. Hang's work, called one of today's most controversial photographers, can be considered freely frank, sensitive, stunning, humorous, and gruesome at the same time. Although the public demeanor of Hang underestimates any political meaning in his work, The carefully focused images of Hang might indicate otherwise. Under China's atmosphere of global, cultural and social upheaval, Hang's vision of contemporary youth serves as a clear argument for freedom of speech under all circumstances. While fortunate enough to meet the quiet and shy photographer Ren Hang. After getting Mr. Hang to open up, we spoke a bit about his poetry not really his practice as a photographer. We ended up having the most amusing conversation about his writings.

Ren Hang will always be remembered as one of the most creative photographers of our time.

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Julian Lucas, is fine art and documentary photographer. Julian also works as a housing specialist which, includes linking homeless veterans to housing. Julian has lived in Chicago, Inglewood, Portland, and the suburbs of Los Angeles County including Pomona.

Cross-Cultural Impact: A Group Exhibition, “On the Paper”

Progress Gallery, Pomona CA

Progress Gallery, Pomona CA

Text by Yuntong (Momo) Wu

“On the Paper”, is a group exhibition curated by Yuntong (Momo) Wu, and conceived by eight artists who work in a variety of art forms and come from multiple cultural backgrounds. The encounter of different perspectives and thoughts that are brought together by the mutual element, “paper,” provides an opportunity for audiences to hear, to learn, and to embrace.

From handmade to the industrial mass-production, the paper, as an essential material involved in human civilization and contributed to the continuity and the creativity of cultures, is integrated in the artworks by the artists who have deeply investigated this material. The participating artists with strong backgrounds in poetry, tape art, conceptual art, videography, and mixed-media, revealed a diverse and dynamic collaboration in this exhibition.

Lisa Segal whose works were at the entrance of the West Gallery is a poet, writer, and an artist. Her works are integrated with varied materials such as maps, digital prints, notebook paper, ledger sheets with words and numbers which provide a brief view of the space where she creates art and composes poetry. Her writing desk is underneath a skylight where she could observe the birds and crows occasionally. Lisa abstracted the shape of birds or crows, and they became features and symbols in her art.

Lisa Segal, Basho’s Crow: “Flower Street Negotiations”

Lisa Segal, Basho’s Crow: “Flower Street Negotiations”

Paper sculptures, “Basho’s Crow: Skylight Return” and “Basho’s Crow: Flower Street Negotiations,” are inspired by a Japanese poet, Basho Haiku, from the 17th century. Lisa considered these two crows to be Basho’s crows. One of Basho’s poem is titled “A Crow on a Bare Branch, “

“On a bare branch
A crow has stopped
Autumn dusk.”

Chiho Harazak works of art received much positive feedback during the opening. During the exhibit, there were visitors asking how did she cut such tiny pieces out of electrical tape. Many visitors gave attention to her pieces as if the visual artwork is readable. Chiho shows her patience and staidness of cutting out tape pieces in every one of her piece. The dimensions of “Lion Dogs” are relevantly larger than the other works of her, yet the shapes and lines are as fine as the smallest work. As viewers approaching “Lion Dogs” from a distance and their eyes staying on details, the defined shapes of the lion-dog start to get lose and blur. In contrast, the shapes of tape pieces start getting noticeable. A three-dimension perspective is revealed with the dents, paper textures, and imperceptible thickness of the tape and its shadow on paper, in a two-dimensional art. Experiencing an artwork in person and being in the same space with it is breathtaking, and is quite different than seeing it’s photo. No matter how high the resolution is, the information that

Chiho Harazaki, “Lion Dogs”

Chiho Harazaki, Lion Dogs”

photo delivers for an art piece are limited and flat.

Sapira Cheuk is a painter, drawer, and an educator from Hongkong. She currently lives and works in Las Vegas. Her ink drawings were presented upright with wood scrolls that shows an eastern aesthetics. “Alopex Waning” is a set of drawing inspired by the hair that sticks on shower wall, and it is associated with her personal issue of hair losing. Instead of presenting grotesque pictures, she decided to abstract hair into organic lines and geometric shapes and create graceful and appreciable images. There is a profound connection between the fragility of paper and the mortal corporeality in her work.

Jessie Seo is a printmaker and painter who originally from Seoul, South Korea. She often consolidates her personal experience and her family relationship in art which explores how human perceives the world in various perspectives. One series of the exhibited print-making is titled “House,” which represents the house that Jessie and her family have been lived in. As an

Sipira Cheuk, “Alopex Waning”

Sipira Cheuk, “Alopex Waning”

immigrant in an unfamiliar country and a new environment, dwelling provides privacy and a comfortable place to rest, relax, and heal. “House” bears specks of memories for Jesse.

Each print of “House” shares the same framework while they differ in color. Three of them were installed right next to each other on the same wall, which contrasts the color and indicates different memories in the house. Artists who interpret personal topics are admirable, because their art reveals the universal humanity through restricted personal representations; they strike a chord with broad audiences who never met the artist.

Jusun (Jessie) Seo, “House”

Jusun (Jessie) Seo, “House”

The print-makings by Denise Kraemer were presented next to Jessie’s work in the East Gallery considering their similar color palette. Denise is an established local artist whose work has been showcased at Sasse Museum of Art, Studio C Gallery, Roswell Space Gallery, etc. She and her art have been contributing significantly to the art community in cities like Pomona, Upland, and Riverside. The vibrant energy of ensuous and expressive images in her work could almost get through the frames and reach out to the audience. Threads, fabric, and other materials she utilized indicate the femininity of her art. One of her printmaking, “Blooming,” manifests a crown-like flower breaking through the inner frame-borders, that conveys a strength inside a vulnerable flower and the energy of nature. The reiteration of flower and girl in Denise’ works embody her interpretation of nature and humanity.

Sumi Foley is a friend of the Progress Gallery for years. She have had a few exhibitions in the gallery, as well as a number of other galleries in Pomona. Sumi’s drawing incorporated with traditional Japanese ink technique and fabric sewing. A interesting fact of viewing her work is to

Denise Kraemer, “Blooming”

Denise Kraemer, “Blooming”

see through layers of translucent fabric and rice paper. The series of drawing was displayed in the West Gallery underneath the skylight where nature light creates soft shadow between the layers on the work. The character in her drawings is a fox she created, which inspired by a Japanese fairy tell that her grandmother told her. Sumi spent a period of time with her grandma when she was a child; her grandma loved to tell stories for her. She also gave Sumi Kimono fabrics and taught her sewing and stitching. The narratives in her drawing manifest playful scenes of foxes, that not only recall the memories belongs to Sumi, but also arouse the childlike innocence inside of everyone.

Sumi Foley, “Delious Smile”

Sumi Foley, “Delious Smile”

TJ Huang grew up in a coastal town in Southern China. His work often conveys a dreamlike atmosphere. His remarkable drawing skill helps him to accomplish fantasy and complex scenes, such as “Playground,” one of his series of drawing.

The exhibited series of work is his new exploration on pictorial representation incorporating with comic grids. Each grid of independent element is composed and turns into a complete story. TJ draws inspirations from daily life and everyday objects that reflects societal issues and cultural

TJ Huang, “Playground”

TJ Huang, “Playground”

themes. In the surreal atmosphere, the ordinary objects are re-learnt and re-recognized by viewers.

The artists in the “On the Paper” exhibition records diverse emotion and awareness. The interpretations of the world are from different perspectives. While, the inner-connections of us indicates a notion of wholeness. The exhibition is expected to reveal humanity in art, and to present a wide range of voices through the daily and common object, paper.

“On the Paper” was exhibited the Progress Gallery in both viewing rooms, East and the West rooms and ran from through December 10th 2020 to January 3rd 2021. The Progress Gallery is located at 300 S Thomas St, Pomona, CA 91766


Yuntong Wu (Momo) is an interdisciplinary artist and a curator, who currently lives and works in Los Angelas County and San Francisco bay area. She was born in Jiangxi province, China, and came to the United States to study. She obtained her master's degree in fine art from San Francisco Art Institute in 2019. Her work has been exhibited and collected in the United States and China.